Wednesday, October 24, 2012

Jerry Jackman Blog - week of 17 October 2012

WEDNESDAY, OCTOBER 17, 2012

     I spent an hour or so on the phone this morning with Constant Contact —specialists in online communications. I asked, “Can I turn my blog into an email blast?” Our rep said yes, then, just to prove his point, he opened my blog and created a blast layout while I waited. It took only five minutes—complete with graphics.
     It is a good thing.
     Our CD replicator told us that his company is discontinuing CDs. The market is dwindling. They are retooling for t-shirts.
     Costs have gone crazy too! Processing for our current mailing, printing the catalog, paying singers, pianist, studio, and making the CDs, brings the total to over $40,000.
     So, expect to hear our audio demonstration online next year.

SATURDAY, OCTOBER 20, 2012
     We attended the Hale Center Theater matinee South Pacific in Orem. Rex Kocherhans, our vocal contracter played the leading role of  Emile de Becque. He is absolutely terrific in that role; French accent and all!
     Rex directs recordings in the Jackman Recording Studios for our Thematic Catalog/Demo project.

SUNDAY, OCTOBER 21, 2012
         We have published twenty-nine Christmas pieces this year. I am pleased to share the list with you. You can hear the samples at www.jackmanmusic.com.

New Christmas releases
#00774 A Virgin Most Pure - SATB - Arr. Richard William-Smith
#00968 And the Son Is Born - SATB - Arr. Jackie Frost Halversen
#00566 Born Is the King of Israel - SATB - Arr. David Len Allen
#01594 Canticle of the Nativity - SATB - Arr. Rob Millett
#00379 Carol Encores - Adv. Piano Solos - Arr. Amy Baugh Hansen
#00769 Carols of Spain - SATB - Arr. Brent Jorgensen
#01112 Christmas Festival - Int. Piano Solos - Arr. by David R. Naylor
#00041 Come All Ye Shepherds - SATB pno, 4 hands - Arr. Catherine Tibbitts
#00010 Come See the Lamb - SATB - Pearson & Jorgensen
#00790 Essential Ward Choir, Vol. 3 - SATB - Arr. Brent Jorgensen
#00553 Hark, the Herald Angels Sing - TTBB - Arr. Derek Furch
#00105 Mary Had a Pretty Little Baby - SA - Arr. Betsy Bailey
#00105 Mary, Can I Hold Your Baby? - Rod Bruner
#09168 O Holy Night - 2 Flutes, Oboe, Piano - Arr. Robert Peterson
#00981 O Little Town/It Came Upon a Midnight - SATB - Arr. Jackie Halversen
#00760 On a Starlit Night - SAB - Hush and Pearce
#00841 One Night, One Star, One Child - SATB - Cydney Olson Van Duker
#00954 One Small Babe - SSA - Lynn S. Lund
#00017 Silent Night - Adv. Flute Solo - Larry Gee
#00864 The Dayspring Is Born - SATB - T. Chemain Evans
#01107 The Holy City - SAB - Arr. Mike Carson
#00851 The Moment of His Birth - SATB - Martin & Ryan
#01106 The Savior Is Born This Night - SATB - Holyoak & Croxall
#00017 The Virgin Mary Had a Baby Boy - SSA - Arr. T. Chemain Evans
#01216 The Wexford Carol - SATB - Arr. Richard William-Smith
#00733 Three Children’s Carols - SAB - Arr. Kimberly Marsden
#00398 Ward Choir Christmas Program - SATB - Carolyn Stevens
#00023 What Child Is This? - TTBB - Arr. Derek Furch
#01108 When Jesus Was a Carpenter - SATB - Voros & Tibbitts

     Our Ward Choir rehearsal was at 1:00 p.m. at the seminary building. We are scheduled to sing David Naylor's If You Could Hie to Heaven next Sunday. It will be the first choir appearance since I was called as Music Chairman. They are scheduled twice a month after this.
     Much of what Sis. Adams is preparing for Christmas seems to be segments; movements of larger works. I want to be supportive of whatever she wants to do. She has an excellent sense of propriety, and because of her long experience, she also has a good grasp of sacred choral music tradition.
    There are three bass section singers in the choir. The highest voice belongs to Scott Bergesen. He takes the baritone divisi parts. He reads very well. I sit next to Sammy Adams. He's a high school kid—son of the director. He has a fun sense of humor and a very low singing range. He is a doublebass player like I am. We have quite a lot of other things in common too. We challenge each other to sing various segments “in the cellar” (down an octave.) I have heard him sing a good low D flat.
     I am watching for the choir to gain in strength over the next few weeks as we continue preparing for Christmas.

FRIDAY, 19 OCTOBER 2012
     Brad Yahashi, from Tucson is mounting performances from the Tabernacle Choir's album, Noel: An International Christmas Celebration. The instrumental parts I was working on last week were for him. We sent final guitar and celesta parts to him yesterday by email. He responded today saying he loved the work we had done. The score that the Salt Lake Tabernacle Choir had provided us comes in tabloid size, single-sided sheets. Brad scanned it all with OCR software made especially to interpret music, hoping to create a version of the score that didn't require so many page turns. The new scanning software renders pages as Music XML files. The XML data can be processed in note-setting software, such as Finale or Sibelius and laid out in pages. From the resulting product, individual parts can be extracted. I told him I would love to learn more about this technology. He is willing to share.
     San Francisco defeated St. Louis tonight for the National League Championship.

MONDAY, OCTOBER 22, 2012
     I created a contract for Sally DeFord, which included royalties for Mabel Jones Gabbott's Estate, Patricia Kelsey Graham, Janice Kapp Perry, and Michael F.  Moody. This document transfers license to Jackman Music for print rights connected with the medley which was commissioned by the Church for the recent Women's Conference—“I Want to Be Like Jesus” with “He Sent His Son.” DeFord s also very nice—and a serious talent.
     I play in a ten piece, straight-ahead swing band. At 64 years old, I am the youngest player. You might call it a Geezer Garage Band. Every player is a retired professional jazz musician. Every rehearsal is recorded for reference. Our director, Lemoyne Taylor retired from his career in the Disneyland Band to serve a mission with his wife Isabell in Nauvoo. He became the director and wrote arrangements for the Nauvoo Brass Band. They had concerts every night on the banks of the Mississippi River. When the Taylors were released, the band reorganized in central Utah under the name Mississippi Mood. My buddy, the drummer Phil Goodrich saw me outside the temple one afternoon and asked if I would be interested in playing bass. That was five years ago. I am still playing every week.
     10:15 a.m. this morning was time to leave for the Mississippi Mood rehearsal at Goodrich‘s. Lemoyne Taylor brought in a new “chart”—The Boy Next Door—a nice waltz. Lemoyne is the only arranger I know who sets waltzes with a walking 3/4 bass line instead of the single, one pizz. per bar. We are getting ready for our next gig, on November 2nd. The rehearsal impacted most of my day.
     The rest of the afternoon at the office was focused on creating Royalty Schedules for the Essential Ward Choir Series. Each volume contains eleven to fourteen songs, each of which requires an individual accounting— research into copyright status and history of the originators. I enjoy this type of work.
      Mitt Romney debated Barrack Obama again tonight—on foreign policy. The president has had four years of experience, but Romney has a clear vision of what needs to be done. The democrats are claiming victory for the debate. We'll see.
     I thought that Mitt held himself rather presidentially. So did more than half of the US.
     Fall has begun. We had our long-awaited meatloaf and baked potatoes for dinner tonight. Fabulous!
     The San Francisco Giants won a fourth game in the National League Championship Series against St. Louis. They are going to the World Series against the Detroit Tigers.

TUESDAY, OCTOBER 23, 2012
    At the office, from early until 2:30 p.m., I revised the Royalty Schedules for Books 2 and 3 of the Essential Ward Choir Series, then wrote the associate contracts. These books are complicated. Each contributor is researched individually. We want to make certain that composers receive the proper royalties.
     I was honored to receive four manuscript submissions from Janice Kapp Perry this afternoon—three simple chorals and an intermediate piano solo medley for four of her most popular children's songs. I called her immediately and accepted them. It is a privilege to have this new work from such an important composer. Here is the list from today:
     #01479  Like Jesus - SATB, the closing number from Janice’s firesides.
     #01481  Primary Song Medley - Piano Solo
     #01482  We Are Daughters in God's Kingdom - SSA
     #01483  With a Voice of Thanksgiving - 2 part
     I suggested that the piano solo medley be part of a series—four or five new pieces over the next year. I will issue each medley in full-size commercial sheet music editions.
     A contract was prepared for Sister Perry before I left tonight, addressing all four these pieces at once. The first release from this group will be in January.
     This afternoon today, we received the first response from our new Catalog/Compact Disc mailing. It is now arriving in our customer’s mailboxes in the United States.
     We refer to the catalog as our “Thematic”, though there is no longer any music shown, Each of the featured pieces provide information about performing, and have an illustration of the cover. The compact disc, which matches the catalog, is about 70 minutes long.

Tuesday, October 2, 2012

Jerry Jackman Blog - week of 2 October 2012

Tuesday, 2 October 2012
     Welcome to my blog about LDS Music print. This will give a very personal glimpse into life at Jackman Music Corporation—behind the scene. These are my actual journal entries.

Tuesday, 25 September 2012 - The Fear of Bad News
     I turned 64 yesterday. The song going through my head all day: Will you still need me? Will you still feed me? When I'm sixty-four?
     Carole's first question to me today: Has your driver's license expired?
     I took it out (jaw drops): Exp. 9-24-12—It expired yesterday—No warning—just (turn the page)—Poof! I am a criminal just driving to work.
     I fear that my eyes may have experienced a downgrade over the past ten years. It is an eye test that I dread—What is it called when you have the Fear of Bad News?
     Steady...steady...
      7 He shall not be afraid of evil tidings: his heart is fixed, trusting in the Lord. [Psalms 112: 7]
     So, okay—where is that eye test? Bring it on!
     I am so proud of my sweetheart, Carole. She took the electronic graphic files I had left in our I.T. department last night and by herself, she posted them onto www.jackmanmusic.com for a sister in Australia to download. Then she tested it by downloading the file herself from the web site. And it worked!
     Hurrah! Good job, Honey.
     The following is from the printer's web site. It shows the projects we have in process over there at the moment—mostly new Easter materials. You will notice that Precious Savior (Jesu Joy of Man's Desiring) and the new edition of the Hallelujah Chorus are both on the presses—also, that the Thematic Catalog is printed and is being delivered to direct mail place for packaging and bulk mailing. That project is just waiting for the compact disc which they use to insert before sealing in plastic mailing sleeves.

TODAY'S PRODUCTION FOR JACKMAN MUSIC CORPORATION

Thematic Catalog 2013/New project with a compact disc
Come O Thou King of Kings - SSAATTBB - Kasen /Reprint
#00175 Thanksgiving: A Hymn Medley - SATB Thompson /Reprint
#01395 Where Can I Turn For Peace - SATB - Wilberg /Reprint


#00148 Hallelujah Chorus /New project




#00324 Messiah Christmas Sampler Cantata - Allen / Reprint with a new cover

#00324 Christ the Lord Is Risen Today Medley - SATB Halversen /New project
   The afternoon was spent engraving Jackie Halversen's Christ the Lord Is Risen Today Medley. This piece includes a bombastic accompaniment for both piano AND synthesizer, and a violin obbligato at the same time. Engraving work is tedious because of all of the double voices—two separate rhythmic values on single lines. Jackie's manuscript is in the form of separate .pdf files for each page. It is a little more complicated than viewing a paper manuscript that you can flip back and forth. The data input will take at least one more day. Then there will be cover design and page assembly, then three rounds of proofs.

Wednesday, 26 September 2012
     I am still working on Jackie Halversen's Christ the Lord Is Risen Today Medley. I am thinking I will have to cut back the page length severely. I am engraving page 20 already, and we're still a few pages out. If this goes on, it will price out like a cantata. My first option is to cut out the synthesizer part, and to show the violin segments as cue-size notes in the piano score. That would cut it back by a third. We could offer the violin part as a free download. The final layout shouldn't have more then eleven pages of music—$1.60 retail. At fifteen pages, the retail price would be $1.95.

Thursday, 28 Sept 2012
     At work in the morning, I finally finished Jackie Halversen's Christ the Lord Is Risen Today Medley. I sent her a proof, suggesting that we reduce this work page-wise as I described yesterday. She called me back and we discussed it for some time. She was gracious. She agreed to reconfigure the piece for choir, piano, and violin obbligato—with no synthesizer.
     I prepared reprints for three old chorals. One, Christmas Bells Are Ringing - Manookin was a direct reorder through the Internet. The other two When He Comes Again, arranged by Ann Kapp Andersen, and Bethlehem, words and music by David Naylor required assembly from scans with new cover art. Those I have now finished and have sent to Meridith, my Associate Editor for final review.
     I have just been called as Ward Music Chairman for the first time. I attended a Stake Music Training tonight at the Canyon View Stake Center. Presiding was Pres. Keven Stratton. I directed the hymn singing with Marcie Bare playing the organ. Officiating was our new Stake Music Chair, Truann Oaks Boulter.
     I sat next to my ward bishopric advisor in the tiny break-out session held in the High Council Room. A couple of folks banged away on what I thought were less significant issues; for example, how much time before a sacrament meeting should the bishopric get the theme topic to the Ward Music Chairman; whether we should program lesser-known hymns systematically to make the ward members learn them; and, should we screen youth from participating as soloists.
     My concept relative to these and all other sacrament meeting issues is expressed in Moroni, Chapter 6. Rather than developing the topic of a meeting, we should be working on conditioning our hearts to hear the voice of the Spirit.
     9 And their meetings were conducted by the church after the manner of the workings of the Spirit, and by the power of the Holy Ghost; for as the power of the Holy Ghost led them whether to preach, or to exhort, or to pray, or to supplicate, or to sing, even so it was done.

Friday, 28 Sept 2012
      I worked at the office doing corrections and ordering stock, until 8:00 p.m. I have changed the name on Jackie Halversen's Easter Medley to He Lives! With a violin obbligato and without the synthesizer part, it is now reduced to eleven pages. It fits beautifully as a $1.60 choral octavo. Though it is difficult, I think it may be the best of our submissions this year for Easter.

Saturday, 29 September 2012
     My 16 year old grandson, Brayden and I worked  this afternoon on an orchestral arrangement of Crawford Gates’ hymn Ring Out Wild Bells. Brayden created the project for the Maple Mountain High School orchestra. The piece is scored for chimes, harp, and strings; and it is surprisingly whimsical and fun. It won't be offered for sale, it's just a Grandson with his Grandpa project.
     My grandfather, Golden L. Jackman taught me about music theory when I was Brayden’s age. I had such a vivid interest in it. Remembering him now as I spend time with my own grandson who is so interested in Music Theory is an unexpected delight for me.
     We have a bit of polishing work to do on in the inner voices before he takes the score to Mrs. Dunford to see if she can use it for the holiday concert.

Monday, 1 October 2012
     I have decided I really don't like being called “Uncle Jer”—and I don't enjoy the name “U. J.”—the label which my brother Stephen has glued to me for decades.
     My full given first name, Jerry, IS, after all, usually a nick name. It is undignified enough. Why would I need nick-nick-name like U.J.?
     For fun, I play bass in a ten piece jazz band called Mississippi Mood. We had a gig at Thanksgiving Point this morning—the groundbreaking for the new Museum of Natural Curiosity. We played sixteen tunes—eight before the speakers, and eight during the turning of the earth by the children. The weather couldn't have been more perfect.

The children wearing yellow hard hats for the groundbreaking
of Thanksgiving Point's Museum of Natural Curiosity.
     Besides the speakers, Thanksgiving Point gave yellow hard hats and a shovels to each of about thirty children so they could participate in the ground breaking. The finale was a firework display at 11:00 in the morning, with rockets firing up from pots which outlined the footprint where the new museum will be stand. The new facility opens in 2014.
     I finally finished the Christ the Lord Is Risen Today Medley and sent a final proof to Meridith, our Associate Editor to check. I have changed the title back to Christ the Lord Is Risen Today Medley. We have other pieces in our catalog called: 1) He Lives, 2) He Lives He Lives, and 3) He Is Risen. It seemed best to give this new piece a name of its own.
     Hey, really though, if I were to have a simpler, more undignified nick name, what would it be? I am thinking Burk, Brick, Beek, Beeselhonk—anything starting with a B...and ending witgh a K? Not Bunky—I am saving that for my former missionary companion Steven Hill.